Sunday, September 11, 2011

Toronto 2011

I'm covering the Toronto International Film Festival for MUBI.com this year. I'll probably post about five hastily-written reports from the festival, and will add them to this blog entry as they go up.

Sunday, July 31, 2011

Top 100 Films of the 00s

Sorry to keep you all waiting! but I calculated that my list of favorite films of the 2000s wouldn't settle down until mid-2011 at least. And here we are.

I didn't try very hard to make this list a lot different from the 1999-2008 list that I posted amid the decade-end hurly-burly. But I allowed myself a few impulses that don't quite match my published lists of favorites.

1. Michael Clayton (Tony Gilroy, USA, 2007)
2. Esther Kahn (Arnaud Desplechin, France, 2000)
3. The Death of Mr. Lazarescu (Cristi Puiu, Romania, 2005)
4. Night and Day (Hong Sang-Soo, South Korea, 2008)
5. Vera Drake (Mike Leigh, UK, 2004)
6. Le doux amour des hommes (Jean-Paul Civeyrac, France, 2002)
7. The Child (Luc and Jean-Pierre Dardenne, Belgium/France, 2005)
8. Fat Girl (Catherine Breillat, France, 2001)
9. The Tracey Fragments (Bruce McDonald, Canada, 2007)
10. Raja (Jacques Doillon, France/Morocco, 2003)
11. Late Marriage (Dover Kosashvili, Israel/France, 2001)
12. Stella (Sylvie Verheyde, France, 2008)
13. The Sopranos: "Made in America" (David Chase, USA, 2007)
14. The House of Mirth (Terence Davies, UK/USA, 2000)
15. La face cachée de la lune (Robert Lepage, Canada, 2003)
16. The Son (Luc and Jean-Pierre Dardenne, Belgium, 2002)
17. Far from Heaven (Todd Haynes, USA, 2002)
18. The Forsaken Land (Vimukthi Jayasundara, Sri Lanka/France, 2005)
19. Ana and the Others (Celina Murga, Argentina, 2003)
20. Primer (Shane Carruth, USA, 2004)
21. Le Père de mes enfants (Mia Hansen-Løve, France, 2009)
22. The Exploding Girl (Bradley Rust Gray, USA, 2009)
23. Sita Sings the Blues (Nina Paley, USA, 2008)
24. Bled Number One (Rabah Ameur-Zaïmeche, Algeria/France, 2006)
25. Still Life (Jia Zhang-ke, China, 2006)
26. Ballast (Lance Hammer, USA, 2008)
27. Sangre (Amat Escalante, Mexico, 2005)
28. The Wayward Cloud (Tsai Ming-liang, Taiwan, 2005)
29. Silent Light (Carlos Reygadas, Mexico, 2007)
30. A Week Alone (Celina Murga, Argentina, 2008)
31. All Around Us (Ryosuke Hashiguchi, Japan, 2008)
32. Une Vieille Maîtresse (Catherine Breillat, France, 2007)
33. Japon (Carlos Reygadas, Mexico, 2002)
34. Waking Life (Richard Linklater, USA, 2001)
35. Bully (Larry Clark, USA, 2001)
36. Vibrator (Ryuichi Hiroki, Japan, 2003)
37. Crashing (Gary Walkow, USA, 2007)
38. Tout est pardonné (Mia Hansen-Løve, France, 2007)
39. Darling (Johan Kling, Sweden, 2007)
40. Eighteen (Jang Kun-jae, South Korea, 2009)
41. Triple Agent (Eric Rohmer, France, 2004)
42. Chopper (Andrew Dominic, Australia, 2000)
43. Platform (Jia Zhang Ke, China, 2000)
44. Zero Day (Ben Coccio, USA, 2003)
45. Happiness (Hur Jin-ho, South Korea, 2007)
46. Lady Chatterley (Pascale Ferran, France/Belgium, 2006)
47. La Donation (Bernard Émond, Canada, 2009)
48. Woman on the Beach (Hong Sang-soo, South Korea, 2006)
49. The Garden of Earthly Delights (Lech Majewski, UK/Italy/Poland, 2004)
50. Or (Mon Tresor) (Keren Yedaya, Israel, 2004)
51. Toutes ces belles promesses (Jean-Paul Civeyrac, France, 2003)
52. Ken Park (Larry Clark and Ed Lachman, USA, 2002)
53. Ten (Abbas Kiarostami, Iran, 2002)
54. Barbe Bleue (Catherine Breillat, France. 2009)
55. Jealousy Is My Middle Name (Park Chan-ok, South Korea, 2002)
56. Shara (Naomi Kawase, Japan, 2003)
57. The World (Jia Zhang-ke, China, 2004)
58. Roberto Succo (Cedric Kahn, France, 2001)
59. Îles flottantes (Nanouk Leopold, Netherlands, 2001)
60. Be My Star (Valeska Grisebach, Germany, 2001)
61. Face (Tsai Ming-Liang, France/Taiwan, 2009)
62. Avant que j'oublie (Jacques Nolot, France, 2007)
63. The Darjeeling Limited (Wes Anderson, USA, 2007)
64. Grain in Ear (Zhang Lu, China/South Korea, 2005)
65. Nights and Weekends (Joe Swanberg and Greta Gerwig, USA, 2008)
66. Mid-August Lunch (Gianni Di Gregorio, Italy, 2008)
67. Turning Gate (Hong Sang-soo, South Korea, 2002)
68. Wolfsbergen (Nanouk Leopold, Netherlands, 2007)
69. Jesus, You Know (Ulrich Seidl, Austria, 2003)
70. Morphia (Aleksei Balabanov, Russia, 2008)
71. Paris: XY (Zeka Laplaine, France, 2001)
72. The Believer (Henry Bean, USA, 2001)
73. All or Nothing (Mike Leigh, UK, 2002)
74. Crimson Gold (Jafar Panahi, Iran, 2003)
75. No Rest for the Brave (Alain Guiraudie, France, 2003)
76. Forty Shades of Blue (Ira Sachs, USA, 2005)
77. C.R.A.Z.Y. (Jean-Marc Vallée, Canada, 2005)
78. The King of Escape (Alain Guiraudie, France, 2009)
79. Rain Dogs (Ho Yuhang, Malaysia, 2006)
80. Catastrophe (David Mamet, Ireland, 2000)
81. The Virgin Stripped Bare by Her Bachelors (Hong Sang-Soo, South Korea, 2000)
82. She, a Chinese (Guo Xiaolu, UK/France/Germany, 2009)
83. Johanna (Kornel Mundruczó, Hungary, 2005)
84. A Tale of Cinema (Hong Sang-soo, South Korea, 2005)
85. Brick (Rian Johnson, USA, 2005)
86. Beat (Gary Walkow, USA, 2000)
87. Head-On (Fatih Akin, Germany/Turkey, 2004)
88. Boogie (Radu Muntean, Romania, 2008)
89. Hannah Takes the Stairs (Joe Swanberg, USA, 2007)
90. The Royal Tenenbaums (Wes Anderson, USA, 2001)
91. The Fluffer (Richard Glatzer and Wash West, USA, 2001)
92. To Die Like a Man (João Pedro Rodrigues, Portugal, 2009)
93. The Paper Will Be Blue (Radu Muntean, Romania, 2006)
94. The Banishment (Andrei Zyvagintsev, Russia, 2007)
95. Dog Days (Ulrich Seidl, Austria, 2001)
96. Harmful Insect (Akihiko Shiota, Japan, 2001)
97. The Days Between (Maria Speth, Germany, 2001)
98. Four Nights with Anna (Jerzy Skolimowski, Poland, 2008)
99. The Return (Andrei Zvyagintsev, Russia, 2003)
100. Cinema, Aspirin and Vultures (Marcelo Gomes, Brazil, 2005)

Sunday, July 17, 2011

The Sleeping Beauty: IFC Center, Now Playing

My piece on Catherine Breillat's La belle endormie (Sleeping Beauty), my favorite movie of the last few years, is up at the MUBI Notebook.

Monday, May 30, 2011

Round Table on Silent Naruse

MUBI.com just published a lengthy email round-table discussion between Danny Kasman, David Phelps and me about the five silent Mikio Naruse films that were recently released on DVD by Criterion.

Friday, May 27, 2011

Mint Julep: Theatre 80 St. Marks, June 8 through 10, 2011

One of my favorite American indies of recent years, Mint Julep, will have its long-delayed New York premiere at Theatre 80 St. Marks, screening from Wednesday, June 8 to Friday, June 10 at 7:30 pm each night. My review of the film, with a few comments on its unusual history, is up at MUBI.com.

Sunday, March 13, 2011

All the Ships at Sea at the Wexner Center, Columbus, OH, March 17, 2011

My 2004 movie All the Ships at Sea will screen this week as part of a series of "21st Century Independents" at the Wexner Center for the Arts in Columbus, Ohio. Ships plays on Thursday, March 17 at 8:50 pm, on the tail end of a bill with Jennifer Reeder's short Seven Songs about Thunder and Damien Chazelle's Guy and Madeline on a Park Bench. The entire series is very well curated: I especially like the March 24 double feature of Lance Hammer's Ballast and Andrew Bujalski's Beeswax.

Saturday, March 5, 2011

La belle endormie (The Sleeping Beauty): IFC, March 6, 2011; Walter Reade, March 8, 2011

Catherine Breillat's fans probably don't need a nudge to see her films, and her detractors should ignore all recommendations. But: wow, her 2010 La belle endormie (The Sleeping Beauty) is a major work even by her high standards. Starting from the premise of Perrault's fairy tale, Breillat contrives that the titular princess shall fall victim to her sleeping curse at age six (Carla Besnaïnou, showing off Breillat's distinctive manner of directing young children) but awaken at age sixteen (Julia Artamonov), and that she shall enjoy an active dream life. Once the plot is sprung, Breillat plunges into dreamland, and the film takes on more resemblance to Chabrol's Alice ou la dernière fugue (1977) or even Resnais' Je t'aime, je t'aime (1968) than to her more modest Perrault adaptation Barbe Bleue (2009). But not until the credits roll can we be completely sure that Breillat is after bigger game than fairy tales or even dreams... Her wide-ranging, tender interest in the contradictory twists of the human psyche is fully engaged by the unrestricted subject matter - and she has never made a film that demonstrates more clearly her great gift for operating on multiple levels of abstraction, a game that for her has always meant breaking the cage of narrative closure instead of seeing us safely to solid ground. Practically a trailer for our second viewing, La belle endormie screens twice more in the Rendez-Vous with French Cinema series: on Sunday, March 6 at 1 pm at the IFC Center, and on Tuesday, March 8 at 1:30 pm at the Walter Reade. And I believe it's been picked up by Strand for a spring 2011 theatrical release.