Thanks for the Use of the Hall

I hesitate to proclaim Mia Hansen-Løve's Le père de mes enfants (The Father of My Children) the best film of the year so far, or Hansen...

Sterlin Harjo's films might be a tough sell to hardcore cinephiles: they tell emotionally direct stories that verge on sentimentalism, a...

My big discovery of the Walter Reade's Northern Exposures series was the remarkable 1923 silent film Norrtullsligan (The Norrtull Gang)...

It's been years since American film buffs backlashed against Andrew Sarris's quarantine of a number of celebrated English-language f...

Those of us who wear our auteurism on our sleeves are occasionally informed, sometimes in a unkind tone, that many of the folk who formulate...

Just a few quick recommendations for end-of-the-month action on the NYC film circuit: South Korean filmmaker Park Chan-ok made her debut in ...

Catherine Breillat now has a solid international reputation, but I wish she was regarded less as a sexual provocatrice and more as an artist...